{"title":"Store","description":"","products":[{"product_id":"glina-sibelco-ateliermassen-2502-10kg","title":"Sibelco Ateliermassen 2502 clay 10kg","description":"\u003ch3 data-start=\"92\" data-end=\"159\"\u003e Clay Ateliermassen 2502 – light clay with fine fireclay (25%)\u003c\/h3\u003e\n\n \u003cp data-start=\"161\" data-end=\"503\"\u003e\u003cstrong data-start=\"161\" data-end=\"183\"\u003eAteliermassen 2502\u003c\/strong\u003e is a high-quality, light-fired ceramic mass enriched with 25% fine-grained fireclay (0–0.2 mm). The addition of fireclay makes the clay more stable during handling and firing, while also maintaining high plasticity, making it suitable for both turning and the construction of small hand-made forms.\u003c\/p\u003e\n\n\u003cp data-start=\"505\" data-end=\"525\"\u003e \u003cstrong data-start=\"505\" data-end=\"525\"\u003eCharacteristic:\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"526\" data-end=\"920\"\u003e\n\n\u003cli data-start=\"526\" data-end=\"602\"\u003e\n\n\u003cp data-start=\"528\" data-end=\"602\"\u003e \u003cstrong data-start=\"528\" data-end=\"548\"\u003eColor after firing:\u003c\/strong\u003e from white to cream (depending on temperature) \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"603\" data-end=\"650\"\u003e\n\n\u003cp data-start=\"605\" data-end=\"650\"\u003e \u003cstrong data-start=\"605\" data-end=\"622\"\u003eApplication:\u003c\/strong\u003e turning, hand forming \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"651\" data-end=\"699\"\u003e\n\n\u003cp data-start=\"653\" data-end=\"699\"\u003e \u003cstrong data-start=\"653\" data-end=\"663\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"700\" data-end=\"745\"\u003e\n\n\u003cp data-start=\"702\" data-end=\"745\"\u003e \u003cstrong data-start=\"702\" data-end=\"732\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280 °C \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"746\" data-end=\"791\"\u003e\n\n\u003cp data-start=\"748\" data-end=\"791\"\u003e \u003cstrong data-start=\"748\" data-end=\"770\"\u003eFireclay content:\u003c\/strong\u003e 25%, grain 0–0.2 mm\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"792\" data-end=\"826\"\u003e\n\n \u003cp data-start=\"794\" data-end=\"826\"\u003e\u003cstrong data-start=\"794\" data-end=\"819\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 6% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"827\" data-end=\"869\"\u003e\n\n\u003cp data-start=\"829\" data-end=\"869\"\u003e \u003cstrong data-start=\"829\" data-end=\"862\"\u003eShrinkage when fired at 1280 °C:\u003c\/strong\u003e approx. 6% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"870\" data-end=\"920\"\u003e\n\n\u003cp data-start=\"872\" data-end=\"920\"\u003e \u003cstrong data-start=\"872\" data-end=\"911\"\u003eWater absorption after firing at 1280 °C:\u003c\/strong\u003e approx. 1.5%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"922\" data-end=\"1062\"\u003e This is an excellent choice for those looking for a compromise between the smoothness of the mass and its greater durability thanks to the content of fine fireclay.\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407702855,"sku":"51121195","price":46.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1a8123d8-4d6b-4945-9dfc-790ed8b21f66.png?v=1781625346"},{"product_id":"glina-sibelco-beton-2002-10kg","title":"Sibelco Beton 2002 Clay 10kg","description":"\u003ch3 data-end=\"162\" data-start=\"84\"\u003e Clay Beton 2002 – clay with fine fireclay (20%), neutral in color\u003c\/h3\u003e\n\n\u003cp data-end=\"453\" data-start=\"164\"\u003e \u003cstrong data-end=\"178\" data-start=\"164\"\u003eBeton 2002\u003c\/strong\u003e is a ceramic mass with a subtle color that changes from cream to gray after firing. It contains 20% fine fireclay (0–0.2 mm), which provides stability and strength while maintaining plasticity. Ideal for turning and constructing small forms.\u003c\/p\u003e\n\n\u003cp data-end=\"475\" data-start=\"455\"\u003e \u003cstrong data-end=\"475\" data-start=\"455\"\u003eCharacteristic:\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-end=\"842\" data-start=\"476\"\u003e\n\n\u003cli data-end=\"522\" data-start=\"476\"\u003e\n\n\u003cp data-end=\"522\" data-start=\"478\"\u003e \u003cstrong data-end=\"498\" data-start=\"478\"\u003eColor after firing:\u003c\/strong\u003e from cream to gray\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"570\" data-start=\"523\"\u003e\n\n \u003cp data-end=\"570\" data-start=\"525\"\u003e\u003cstrong data-end=\"542\" data-start=\"525\"\u003eApplication:\u003c\/strong\u003e turning, hand forming \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"619\" data-start=\"571\"\u003e\n\n\u003cp data-end=\"619\" data-start=\"573\"\u003e \u003cstrong data-end=\"583\" data-start=\"573\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"665\" data-start=\"620\"\u003e\n\n\u003cp data-end=\"665\" data-start=\"622\"\u003e \u003cstrong data-end=\"652\" data-start=\"622\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1250 °C \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"711\" data-start=\"666\"\u003e\n\n\u003cp data-end=\"711\" data-start=\"668\"\u003e \u003cstrong data-end=\"690\" data-start=\"668\"\u003eFireclay content:\u003c\/strong\u003e 20%, grain 0–0.2 mm \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"748\" data-start=\"712\"\u003e\n\n\u003cp data-end=\"748\" data-start=\"714\"\u003e \u003cstrong data-end=\"739\" data-start=\"714\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 5.8% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"793\" data-start=\"749\"\u003e\n\n\u003cp data-end=\"793\" data-start=\"751\"\u003e \u003cstrong data-end=\"784\" data-start=\"751\"\u003eShrinkage when fired at 1250 °C:\u003c\/strong\u003e approx. 9.5% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"842\" data-start=\"794\"\u003e\n\n\u003cp data-end=\"842\" data-start=\"796\"\u003e \u003cstrong data-end=\"835\" data-start=\"796\"\u003eWater absorption after firing at 1250 °C:\u003c\/strong\u003e approx. 1%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-end=\"957\" data-start=\"844\"\u003e \u003cstrong data-end=\"858\" data-start=\"844\"\u003eBeton 2002\u003c\/strong\u003e is an excellent choice for ceramists looking for a neutral base with high durability and stability.\u003c\/p\u003e\n\n","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407735623,"sku":"51121212","price":57.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/3928d625-5c10-4d1e-94ef-aaedb75b8e7d.png?v=1781625217"},{"product_id":"glina-sibelco-r2502-10kg","title":"Sibelco R2502 Clay 10kg","description":"\u003ch3 data-start=\"80\" data-end=\"142\"\u003e Clay R 2502 – orange clay with fine fireclay (25%)\u003c\/h3\u003e\n\n \u003cp data-start=\"144\" data-end=\"418\"\u003e\u003cstrong data-start=\"144\" data-end=\"154\"\u003eR 2502\u003c\/strong\u003e is a ceramic mass with an intense orange-brick color after firing, containing 25% fine fireclay (0–0.2 mm). This makes it ideal for both turning and the construction of larger forms, offering high strength and stability during firing.\u003c\/p\u003e\n\n\u003cp data-start=\"420\" data-end=\"440\"\u003e \u003cstrong data-start=\"420\" data-end=\"440\"\u003eCharacteristic:\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"441\" data-end=\"835\"\u003e\n\n\u003cli data-start=\"441\" data-end=\"504\"\u003e\n\n\u003cp data-start=\"443\" data-end=\"504\"\u003e \u003cstrong data-start=\"443\" data-end=\"463\"\u003eColor after firing:\u003c\/strong\u003e from orange to brick red \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"505\" data-end=\"556\"\u003e\n\n\u003cp data-start=\"507\" data-end=\"556\"\u003e \u003cstrong data-start=\"507\" data-end=\"524\"\u003eApplication:\u003c\/strong\u003e turning, construction of larger molds \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"557\" data-end=\"605\"\u003e\n\n\u003cp data-start=\"559\" data-end=\"605\"\u003e \u003cstrong data-start=\"559\" data-end=\"569\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"606\" data-end=\"651\"\u003e\n\n\u003cp data-start=\"608\" data-end=\"651\"\u003e \u003cstrong data-start=\"608\" data-end=\"638\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1200 °C \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"652\" data-end=\"704\"\u003e\n\n\u003cp data-start=\"654\" data-end=\"704\"\u003e \u003cstrong data-start=\"654\" data-end=\"676\"\u003eFireclay content:\u003c\/strong\u003e 25%, fine fireclay 0–0.2 mm \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"705\" data-end=\"739\"\u003e\n\n\u003cp data-start=\"707\" data-end=\"739\"\u003e \u003cstrong data-start=\"707\" data-end=\"732\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 5%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"740\" data-end=\"784\"\u003e\n\n \u003cp data-start=\"742\" data-end=\"784\"\u003e\u003cstrong data-start=\"742\" data-end=\"775\"\u003eShrinkage when fired at 1200 °C:\u003c\/strong\u003e approx. 7.2% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"785\" data-end=\"835\"\u003e\n\n\u003cp data-start=\"787\" data-end=\"835\"\u003e \u003cstrong data-start=\"787\" data-end=\"826\"\u003eWater absorption after firing at 1200 °C:\u003c\/strong\u003e approx. 0.8%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"837\" data-end=\"959\"\u003e The \u003cstrong data-start=\"842\" data-end=\"852\"\u003eR 2502\u003c\/strong\u003e mass is ideal for ceramists who want to combine intense colours with high functionality and durability.\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407801159,"sku":"51121213","price":49.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/7513d4ab-b434-49c4-888b-1de8f8f1cbfb.png?v=1781622026"},{"product_id":"glina-sibelco-r2505-10kg","title":"Sibelco R2505 Clay 10kg","description":"\u003ch3 data-start=\"80\" data-end=\"142\"\u003e Clay R 2505 – orange clay with fine fireclay (25%)\u003c\/h3\u003e\n\n\u003cp data-start=\"144\" data-end=\"439\"\u003e \u003cstrong data-start=\"144\" data-end=\"154\"\u003eR 2505\u003c\/strong\u003e is a clay with an intense, warm color that transitions from orange to brick-red after firing. It contains 25% fine fireclay (0–0.5 mm), which contributes to its strength and stability during firing. It is ideal for both turning and building larger forms.\u003c\/p\u003e\n\n\u003cp data-start=\"441\" data-end=\"461\"\u003e \u003cstrong data-start=\"441\" data-end=\"461\"\u003eCharacteristic:\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"462\" data-end=\"851\"\u003e\n\n\u003cli data-start=\"462\" data-end=\"525\"\u003e\n\n\u003cp data-start=\"464\" data-end=\"525\"\u003e \u003cstrong data-start=\"464\" data-end=\"484\"\u003eColor after firing:\u003c\/strong\u003e from orange to brick red\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"526\" data-end=\"577\"\u003e\n\n \u003cp data-start=\"528\" data-end=\"577\"\u003e\u003cstrong data-start=\"528\" data-end=\"545\"\u003eApplication:\u003c\/strong\u003e turning, construction of larger molds \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"578\" data-end=\"626\"\u003e\n\n\u003cp data-start=\"580\" data-end=\"626\"\u003e \u003cstrong data-start=\"580\" data-end=\"590\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"627\" data-end=\"672\"\u003e\n\n\u003cp data-start=\"629\" data-end=\"672\"\u003e \u003cstrong data-start=\"629\" data-end=\"659\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1250 °C \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"673\" data-end=\"718\"\u003e\n\n\u003cp data-start=\"675\" data-end=\"718\"\u003e \u003cstrong data-start=\"675\" data-end=\"697\"\u003eFireclay content:\u003c\/strong\u003e 25%, grain 0–0.5 mm \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"719\" data-end=\"755\"\u003e\n\n\u003cp data-start=\"721\" data-end=\"755\"\u003e \u003cstrong data-start=\"721\" data-end=\"746\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 4.8% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"756\" data-end=\"800\"\u003e\n\n\u003cp data-start=\"758\" data-end=\"800\"\u003e \u003cstrong data-start=\"758\" data-end=\"791\"\u003eShrinkage when fired at 1250 °C:\u003c\/strong\u003e approx. 7.5% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"801\" data-end=\"851\"\u003e\n\n\u003cp data-start=\"803\" data-end=\"851\"\u003e \u003cstrong data-start=\"803\" data-end=\"842\"\u003eWater absorption after firing at 1250 °C:\u003c\/strong\u003e approx. 0.5%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"853\" data-end=\"1004\"\u003e \u003cstrong data-start=\"859\" data-end=\"869\"\u003eR 2505\u003c\/strong\u003e clay is an excellent choice for ceramists looking for a vibrant, warm colour and a durable, versatile clay for larger projects.\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407899463,"sku":"51121214","price":74.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/7513d4ab-b434-49c4-888b-1de8f8f1cbfb.png?v=1781622026"},{"product_id":"glina-sibelco-ateliermassen-10kg","title":"Sibelco Ateliermassen clay 10kg","description":"\u003ch3 data-start=\"99\" data-end=\"158\"\u003e Clay Ateliermassen – white ceramic mass without fireclay\u003c\/h3\u003e\n\n \u003cp data-start=\"160\" data-end=\"491\"\u003eProfessional, high-quality \u003cstrong data-start=\"208\" data-end=\"225\"\u003eAteliermassen\u003c\/strong\u003e ceramic clay is the perfect choice for ceramists seeking a light, versatile clay. Thanks to its plasticity and pure structure, without the addition of fireclay, it's perfect for both wheel-turning and hand-building smaller forms.\u003c\/p\u003e\n\n\u003cp data-start=\"493\" data-end=\"513\"\u003e \u003cstrong data-start=\"493\" data-end=\"513\"\u003eCharacteristic:\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"514\" data-end=\"879\"\u003e\n\n\u003cli data-start=\"514\" data-end=\"590\"\u003e\n\n\u003cp data-start=\"516\" data-end=\"590\"\u003e \u003cstrong data-start=\"516\" data-end=\"536\"\u003eColor after firing:\u003c\/strong\u003e from white to cream (depending on temperature) \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"591\" data-end=\"638\"\u003e\n\n\u003cp data-start=\"593\" data-end=\"638\"\u003e \u003cstrong data-start=\"593\" data-end=\"610\"\u003eApplication:\u003c\/strong\u003e turning, hand forming \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"639\" data-end=\"687\"\u003e\n\n\u003cp data-start=\"641\" data-end=\"687\"\u003e \u003cstrong data-start=\"641\" data-end=\"651\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"688\" data-end=\"733\"\u003e\n\n\u003cp data-start=\"690\" data-end=\"733\"\u003e \u003cstrong data-start=\"690\" data-end=\"720\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1260 °C \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"734\" data-end=\"752\"\u003e\n\n\u003cp data-start=\"736\" data-end=\"752\"\u003e \u003cstrong data-start=\"736\" data-end=\"747\"\u003eFireclay:\u003c\/strong\u003e none \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"753\" data-end=\"787\"\u003e\n\n\u003cp data-start=\"755\" data-end=\"787\"\u003e \u003cstrong data-start=\"755\" data-end=\"780\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 6%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"788\" data-end=\"830\"\u003e\n\n \u003cp data-start=\"790\" data-end=\"830\"\u003e\u003cstrong data-start=\"790\" data-end=\"823\"\u003eShrinkage when fired at 1260 °C:\u003c\/strong\u003e approx. 6% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"831\" data-end=\"879\"\u003e\n\n\u003cp data-start=\"833\" data-end=\"879\"\u003e \u003cstrong data-start=\"833\" data-end=\"872\"\u003eWater absorption after firing at 1260 °C:\u003c\/strong\u003e approx. 2%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"881\" data-end=\"1013\"\u003e \u003cstrong data-start=\"888\" data-end=\"905\"\u003eAteliermassen\u003c\/strong\u003e clay is recommended for work requiring precision, a clean finish and a bright background for glazes and decorations.\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407932231,"sku":"51121260","price":55.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1a8123d8-4d6b-4945-9dfc-790ed8b21f66.png?v=1781625346"},{"product_id":"glina-sibelco-wm2502b-10kg","title":"Sibelco WM2502B Clay 10kg","description":"\u003ch3 data-start=\"91\" data-end=\"157\"\u003e Sibelco WM 2502 B clay – yellow clay with fine fireclay (25%)\u003c\/h3\u003e\n\n\u003cp data-start=\"159\" data-end=\"483\"\u003e \u003cstrong data-start=\"159\" data-end=\"180\"\u003eSibelco WM 2502 B\u003c\/strong\u003e is a malleable ceramic body with a warm yellow color that changes from intense yellow to shades of khaki after firing. It contains 25% fine fireclay (0–0.2 mm), ensuring stability during handling and firing. It is ideal for both turning and the construction of both small and large forms.\u003c\/p\u003e\n\n\u003cp data-start=\"485\" data-end=\"505\"\u003e \u003cstrong data-start=\"485\" data-end=\"505\"\u003eCharacteristic:\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"506\" data-end=\"908\"\u003e\n\n\u003cli data-start=\"506\" data-end=\"578\"\u003e\n\n \u003cp data-start=\"508\" data-end=\"578\"\u003e\u003cstrong data-start=\"508\" data-end=\"528\"\u003eColor after firing:\u003c\/strong\u003e from yellow to khaki (depending on temperature) \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"579\" data-end=\"636\"\u003e\n\n\u003cp data-start=\"581\" data-end=\"636\"\u003e \u003cstrong data-start=\"581\" data-end=\"598\"\u003eApplication:\u003c\/strong\u003e turning, construction of small and large molds \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"637\" data-end=\"685\"\u003e\n\n\u003cp data-start=\"639\" data-end=\"685\"\u003e \u003cstrong data-start=\"639\" data-end=\"649\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"686\" data-end=\"731\"\u003e\n\n\u003cp data-start=\"688\" data-end=\"731\"\u003e \u003cstrong data-start=\"688\" data-end=\"718\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280 °C \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"732\" data-end=\"777\"\u003e\n\n\u003cp data-start=\"734\" data-end=\"777\"\u003e \u003cstrong data-start=\"734\" data-end=\"756\"\u003eFireclay content:\u003c\/strong\u003e 25%, grain 0–0.2 mm \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"778\" data-end=\"814\"\u003e\n\n\u003cp data-start=\"780\" data-end=\"814\"\u003e \u003cstrong data-start=\"780\" data-end=\"805\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 5.8% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"815\" data-end=\"859\"\u003e\n\n\u003cp data-start=\"817\" data-end=\"859\"\u003e \u003cstrong data-start=\"817\" data-end=\"850\"\u003eShrinkage when fired at 1200 °C:\u003c\/strong\u003e approx. 5.5% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"860\" data-end=\"908\"\u003e\n\n\u003cp data-start=\"862\" data-end=\"908\"\u003e \u003cstrong data-start=\"862\" data-end=\"901\"\u003eWater absorption after firing at 1200 °C:\u003c\/strong\u003e approx. 2%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"910\" data-end=\"1066\"\u003e \u003cstrong data-start=\"910\" data-end=\"931\"\u003eSibelco WM 2502 B\u003c\/strong\u003e is the perfect choice for ceramicists looking for a vibrant colour and a durable, easy-to-work clay with versatile applications.\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407964999,"sku":"51121261","price":55.0,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/6dd1011f-18e9-4002-9997-c86e3199517b.png?v=1781626145"},{"product_id":"glina-sibelco-wm3020fs-10kg","title":"Sibelco WM3020FS Clay 10kg","description":"\u003ch3 data-start=\"84\" data-end=\"143\"\u003eClay WM 3020 FS – mass with thick black fireclay (30%)\u003c\/h3\u003e\n\n\u003cp data-start=\"145\" data-end=\"479\"\u003e \u003cstrong data-start=\"145\" data-end=\"159\"\u003eWM 3020 FS\u003c\/strong\u003e is a clay with a distinct texture, containing as much as 30% coarse black fireclay (0.5–2 mm). The fireclay grains become increasingly visible as the firing temperature increases, lending the work a rustic, raw character. This clay is ideal for building large forms where high stability and strength are required.\u003c\/p\u003e\n\n\u003cp data-start=\"481\" data-end=\"501\"\u003e \u003cstrong data-start=\"481\" data-end=\"501\"\u003eCharacteristic:\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"502\" data-end=\"903\"\u003e\n\n\u003cli data-start=\"502\" data-end=\"578\"\u003e\n\n\u003cp data-start=\"504\" data-end=\"578\"\u003e \u003cstrong data-start=\"504\" data-end=\"524\"\u003eColor after firing:\u003c\/strong\u003e from dark to black with clearly visible fireclay \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"579\" data-end=\"617\"\u003e\n\n\u003cp data-start=\"581\" data-end=\"617\"\u003e \u003cstrong data-start=\"581\" data-end=\"598\"\u003eApplication:\u003c\/strong\u003e construction of large molds \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"618\" data-end=\"666\"\u003e\n\n\u003cp data-start=\"620\" data-end=\"666\"\u003e \u003cstrong data-start=\"620\" data-end=\"630\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"667\" data-end=\"712\"\u003e\n\n\u003cp data-start=\"669\" data-end=\"712\"\u003e \u003cstrong data-start=\"669\" data-end=\"699\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1250 °C \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"713\" data-end=\"772\"\u003e\n\n\u003cp data-start=\"715\" data-end=\"772\"\u003e \u003cstrong data-start=\"715\" data-end=\"737\"\u003eFireclay content:\u003c\/strong\u003e 30%, black, coarse fireclay 0.5–2 mm\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"773\" data-end=\"809\"\u003e\n\n \u003cp data-start=\"775\" data-end=\"809\"\u003e\u003cstrong data-start=\"775\" data-end=\"800\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 5.5% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"810\" data-end=\"852\"\u003e\n\n\u003cp data-start=\"812\" data-end=\"852\"\u003e \u003cstrong data-start=\"812\" data-end=\"845\"\u003eShrinkage when fired at 1250 °C:\u003c\/strong\u003e approx. 8% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"853\" data-end=\"903\"\u003e\n\n\u003cp data-start=\"855\" data-end=\"903\"\u003e \u003cstrong data-start=\"855\" data-end=\"894\"\u003eWater absorption after firing at 1280 °C:\u003c\/strong\u003e approx. 3.5%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"905\" data-end=\"1050\"\u003e \u003cstrong data-start=\"910\" data-end=\"924\"\u003eWM 3020 FS\u003c\/strong\u003e is an excellent choice for ceramists who create larger, heavier objects and want to emphasize their natural, rustic texture.\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826408096071,"sku":"51121262","price":59.9,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/6323a991-17f2-45f0-995e-bb46c791a5b9.png?v=1781622230"},{"product_id":"glina-sibelco-wms2002gg-10kg","title":"Sibelco WMS2002GG Clay 10kg","description":"\u003ch3 data-start=\"111\" data-end=\"170\"\u003e WMS 2502 clay – mass with black, fine fireclay (20%)\u003c\/h3\u003e\n\n\u003cp data-start=\"172\" data-end=\"520\"\u003e \u003cstrong data-start=\"172\" data-end=\"184\"\u003eWMS 2502\u003c\/strong\u003e is a subtle and decorative clay with 20% fine fireclay (0–0.2 mm), which, when fired, creates an effect of black, irregular dots on a cream or gray-brown background. The clay is well suited for turning and the construction of small hand-made forms, maintaining a balance between plasticity and stability during drying and firing.\u003c\/p\u003e\n\n \u003cp data-start=\"522\" data-end=\"542\"\u003e\u003cstrong data-start=\"522\" data-end=\"542\"\u003eCharacteristic:\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"543\" data-end=\"962\"\u003e\n\n\u003cli data-start=\"543\" data-end=\"628\"\u003e\n\n\u003cp data-start=\"545\" data-end=\"628\"\u003e \u003cstrong data-start=\"545\" data-end=\"565\"\u003eColor after firing:\u003c\/strong\u003e from cream to gray-brown with visible black dots \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"629\" data-end=\"676\"\u003e\n\n\u003cp data-start=\"631\" data-end=\"676\"\u003e \u003cstrong data-start=\"631\" data-end=\"648\"\u003eApplication:\u003c\/strong\u003e turning, hand forming \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"677\" data-end=\"725\"\u003e\n\n\u003cp data-start=\"679\" data-end=\"725\"\u003e \u003cstrong data-start=\"679\" data-end=\"689\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"726\" data-end=\"771\"\u003e\n\n\u003cp data-start=\"728\" data-end=\"771\"\u003e \u003cstrong data-start=\"728\" data-end=\"758\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1250 °C \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"772\" data-end=\"831\"\u003e\n\n\u003cp data-start=\"774\" data-end=\"831\"\u003e \u003cstrong data-start=\"774\" data-end=\"796\"\u003eFireclay content:\u003c\/strong\u003e 20%, fine black fireclay 0–0.2 mm \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"832\" data-end=\"868\"\u003e\n\n\u003cp data-start=\"834\" data-end=\"868\"\u003e \u003cstrong data-start=\"834\" data-end=\"859\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 5.5% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"869\" data-end=\"911\"\u003e\n\n\u003cp data-start=\"871\" data-end=\"911\"\u003e \u003cstrong data-start=\"871\" data-end=\"904\"\u003eShrinkage when fired at 1250 °C:\u003c\/strong\u003e approx. 7% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"912\" data-end=\"962\"\u003e\n\n\u003cp data-start=\"914\" data-end=\"962\"\u003e \u003cstrong data-start=\"914\" data-end=\"953\"\u003eWater absorption after firing at 1250 °C:\u003c\/strong\u003e approx. 0.5%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"964\" data-end=\"1134\"\u003e This is an ideal proposition for ceramists who value natural surface effects and clear texture, especially when combined with transparent or translucent glazes.\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826408128839,"sku":"51121263","price":56.9,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/ChatGPT_Image_16_cze_2026_17_45_41.png?v=1781624768"},{"product_id":"glina-sibelco-wms2502-10kg","title":"Sibelco WMS2502 Clay 10kg","description":"\u003ch3 data-start=\"82\" data-end=\"146\"\u003e WMS 2502 clay – a light mass with attractive, dark spots\u003c\/h3\u003e\n\n\u003cp data-start=\"148\" data-end=\"509\"\u003e \u003cstrong data-start=\"148\" data-end=\"160\"\u003eWMS 2502\u003c\/strong\u003e is a unique fireclay with a fine grain (0–0.2 mm) that develops characteristic dark specks after firing, becoming visible at temperatures above 1150°C. Its aesthetic appeal and stable working properties make it a popular choice for both utility and decorative work. It is suitable for both turning and hand-forming.\u003c\/p\u003e\n\n\u003cp data-start=\"511\" data-end=\"531\"\u003e \u003cstrong data-start=\"511\" data-end=\"531\"\u003eCharacteristic:\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"532\" data-end=\"939\"\u003e\n\n\u003cli data-start=\"532\" data-end=\"619\"\u003e\n\n\u003cp data-start=\"534\" data-end=\"619\"\u003e \u003cstrong data-start=\"534\" data-end=\"554\"\u003eColour after firing:\u003c\/strong\u003e cream to grey-cream with dark spots (from 1150 °C) \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"620\" data-end=\"667\"\u003e\n\n\u003cp data-start=\"622\" data-end=\"667\"\u003e \u003cstrong data-start=\"622\" data-end=\"639\"\u003eApplication:\u003c\/strong\u003e turning, hand forming \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"668\" data-end=\"716\"\u003e\n\n\u003cp data-start=\"670\" data-end=\"716\"\u003e \u003cstrong data-start=\"670\" data-end=\"680\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"717\" data-end=\"762\"\u003e\n\n\u003cp data-start=\"719\" data-end=\"762\"\u003e \u003cstrong data-start=\"719\" data-end=\"749\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280 °C\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"763\" data-end=\"808\"\u003e\n\n \u003cp data-start=\"765\" data-end=\"808\"\u003e\u003cstrong data-start=\"765\" data-end=\"787\"\u003eFireclay content:\u003c\/strong\u003e 25%, grain 0–0.2 mm \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"809\" data-end=\"845\"\u003e\n\n\u003cp data-start=\"811\" data-end=\"845\"\u003e \u003cstrong data-start=\"811\" data-end=\"836\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 5.8% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"846\" data-end=\"888\"\u003e\n\n\u003cp data-start=\"848\" data-end=\"888\"\u003e \u003cstrong data-start=\"848\" data-end=\"881\"\u003eShrinkage when fired at 1280 °C:\u003c\/strong\u003e approx. 6% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"889\" data-end=\"939\"\u003e\n\n\u003cp data-start=\"891\" data-end=\"939\"\u003e \u003cstrong data-start=\"891\" data-end=\"930\"\u003eWater absorption after firing at 1280 °C:\u003c\/strong\u003e approx. 0.6%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"941\" data-end=\"1133\"\u003e Thanks to its speckled effect and neutral colour, \u003cstrong data-start=\"995\" data-end=\"1007\"\u003eWMS 2502\u003c\/strong\u003e provides a beautiful background for transparent and semi-transparent glazes, while maintaining high functionality and durability.\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826408227143,"sku":"51121264","price":59.0,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/9f5ebb08-d931-4a63-bb17-4c7d6fa0d51b.png?v=1781624901"},{"product_id":"glina-sibelco-wm2502-10kg","title":"Sibelco WM2502 Clay 10kg","description":"\u003ch3 data-start=\"80\" data-end=\"135\"\u003e WM2502 clay – light clay with fine fireclay (25%)\u003c\/h3\u003e\n\n \u003cp data-start=\"137\" data-end=\"501\"\u003e\u003cstrong data-start=\"137\" data-end=\"147\"\u003eWM2502\u003c\/strong\u003e is a malleable, light-colored ceramic mass with 25% fine fireclay (0–0.2 mm) that combines a smooth surface with increased strength. Its properties make it ideal for both turning and the construction of small hand-made forms. Firing at a wide temperature range, it produces subtle shades of white and cream.\u003c\/p\u003e\n\n\u003cp data-start=\"503\" data-end=\"523\"\u003e \u003cstrong data-start=\"503\" data-end=\"523\"\u003eCharacteristic:\u003c\/strong\u003e \u003c\/p\u003e\n\n\u003cul data-start=\"524\" data-end=\"918\"\u003e\n\n\u003cli data-start=\"524\" data-end=\"600\"\u003e\n\n\u003cp data-start=\"526\" data-end=\"600\"\u003e \u003cstrong data-start=\"526\" data-end=\"546\"\u003eColor after firing:\u003c\/strong\u003e from white to cream (depending on temperature) \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"601\" data-end=\"648\"\u003e\n\n\u003cp data-start=\"603\" data-end=\"648\"\u003e \u003cstrong data-start=\"603\" data-end=\"620\"\u003eApplication:\u003c\/strong\u003e turning, hand forming \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"649\" data-end=\"697\"\u003e\n\n\u003cp data-start=\"651\" data-end=\"697\"\u003e \u003cstrong data-start=\"651\" data-end=\"661\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"698\" data-end=\"743\"\u003e\n\n\u003cp data-start=\"700\" data-end=\"743\"\u003e \u003cstrong data-start=\"700\" data-end=\"730\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1300 °C \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"744\" data-end=\"789\"\u003e\n\n\u003cp data-start=\"746\" data-end=\"789\"\u003e \u003cstrong data-start=\"746\" data-end=\"768\"\u003eFireclay content:\u003c\/strong\u003e 25%, grain 0–0.2 mm\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"790\" data-end=\"826\"\u003e\n\n \u003cp data-start=\"792\" data-end=\"826\"\u003e\u003cstrong data-start=\"792\" data-end=\"817\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 7.5% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"827\" data-end=\"869\"\u003e\n\n\u003cp data-start=\"829\" data-end=\"869\"\u003e \u003cstrong data-start=\"829\" data-end=\"862\"\u003eShrinkage when fired at 1250 °C:\u003c\/strong\u003e approx. 6% \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"870\" data-end=\"918\"\u003e\n\n\u003cp data-start=\"872\" data-end=\"918\"\u003e \u003cstrong data-start=\"872\" data-end=\"911\"\u003eWater absorption after firing at 1250 °C:\u003c\/strong\u003e approx. 1%\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-start=\"920\" data-end=\"1059\"\u003e \u003cstrong data-start=\"920\" data-end=\"930\"\u003eWM2502\u003c\/strong\u003e is an excellent choice for those looking for a light, solid clay for everyday use – both functional and decorative.\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826408259911,"sku":"51121265","price":50.0,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/9f5ebb08-d931-4a63-bb17-4c7d6fa0d51b.png?v=1781624901"},{"product_id":"glina-sibelco-nigra-2002-10kg","title":"Sibelco Nigra 2002 Clay 10kg","description":"\u003ch3 data-end=\"138\" data-start=\"84\"\u003eGlina Nigra 2002 – dark clay with black grog\u003c\/h3\u003e\n\u003cp data-end=\"524\" data-start=\"140\"\u003e\u003cstrong data-end=\"154\" data-start=\"140\"\u003eNigra 2002\u003c\/strong\u003e is a unique ceramic body with a deep, dark color and delicate texture, containing fine black grog (0–0.2 mm) in an amount of 20%. Its color after firing ranges from gray to intense black – depending on the firing temperature and atmosphere. It is ideal for throwing and creating smaller hand-built forms, producing elegant and modern visual effects.\u003cstrong data-end=\"546\" data-start=\"526\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1094\" data-start=\"923\"\u003e\u003cstrong data-end=\"942\" data-start=\"928\"\u003eNigra 2002\u003c\/strong\u003e clay is an excellent choice for ceramists looking for a contrasting base for light glazes or wanting to achieve a raw, minimalist natural firing effect.\u003c\/p\u003e\n\u003cp data-end=\"1094\" data-start=\"923\"\u003e \u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826408292679,"sku":"51121266","price":74.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/c6f629b4-ed1d-4deb-8187-ab64fbf86093.png?v=1781621934"},{"product_id":"fartuch-garncarski-studio-2","title":"Pottery Apron Studio without Pockets","description":"\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eAlike Potter's Apron – Designed by and for Potters\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePractical, comfortable, and created for everyday work at the potter's wheel. The Alike apron is an indispensable piece of equipment for every ceramicist – both professionals and enthusiasts.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul style=\"margin-top: 0cm;\" type=\"disc\"\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eSpecial front slit\u003c\/b\u003e – provides freedom of movement and a comfortable position while throwing on the potter's wheel.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003e100% cotton\u003c\/b\u003e – natural, breathable material guarantees comfort and ease of cleaning.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eLarge overlap of material\u003c\/b\u003e – effectively protects trousers from splashes and dirt.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eTie straps at the neck\u003c\/b\u003e – easily adjust the apron to your height.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eReinforcements at the ties\u003c\/b\u003e – for durability and reliability even with intensive use.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eWidening at the top (25 cm)\u003c\/b\u003e – for greater comfort and better fit.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eHanger\u003c\/b\u003e – convenient storage after work.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eAlike leather logo\u003c\/b\u003e – a subtle detail emphasizing the quality and artisanal character of the product.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul style=\"margin-top: 0cm;\" type=\"disc\"\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l1 level1 lfo2; tab-stops: list 36.0pt;\"\u003eLength: 108 cm\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l1 level1 lfo2; tab-stops: list 36.0pt;\"\u003eWidth: 82 cm\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003eThe Alike potter's apron is a tool for work and an element of identity – designed by people who understand the meaning of dirty work and the pure joy of creation.\u003c\/p\u003e","brand":"Alike Pottery Studio","offers":[{"title":"Default Title","offer_id":51839286509895,"sku":"511211980","price":199.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/852276B3-F518-4364-9D92-7A7A3A4B084E.jpg?v=1785100710"},{"product_id":"masa-recyklingowa-alike-4kg","title":"Alike Recycled clay body 4kg","description":"\u003cp\u003e \u003cspan\u003eWhat does \"recycling mass\" mean?\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThis is clay that has already been in the works – after thorough processing, with the addition of heart, tenderness and the addition of a fresh mass of concrete grey – it has been returned to circulation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eWhat can we say about her?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003e- This is a high temperature mass (1180-1240)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e- it will be gray (although the shade may vary)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e- it will have dots\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e- there may be pieces of sponge or other traces of previous incarnations\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eIn return - a great price and a material with a history.\u003c\/span\u003e\u003c\/p\u003e","brand":"Alike Pottery Studio","offers":[{"title":"Default Title","offer_id":51994562199879,"sku":null,"price":9.99,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/L1005003.jpg?v=1785101518"},{"product_id":"porcelana-audrey-blackman-1-kg","title":"Audrey Blackman porcelain 1 kg","description":"\u003cp\u003eG\u0026amp;S 1101 \u003cstrong data-start=\"9\" data-end=\"28\"\u003eAudrey Blackman\u003c\/strong\u003e is a high-quality white porcelain from England, known for its delicate translucency and exceptional color purity. This clay is distinguished by its excellent plastic properties, making \u003cstrong data-start=\"227\" data-end=\"282\"\u003eit ideal for wheel-turning\u003c\/strong\u003e and precision handicrafts. After firing, it achieves \u003cstrong data-start=\"342\" data-end=\"407\"\u003ea high degree of whiteness and a subtle, elegant translucency\u003c\/strong\u003e characteristic of premium porcelain. Each package contains 1 kg of clay.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":52682368778567,"sku":"51121141","price":22.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/Audrey.jpg?v=1785117718"},{"product_id":"szkliwo-krystaliczne-kj-blue-tide-238ml","title":"KJ Blue Tide Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many trials, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 height of the vessel, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 height of the vessel, counting from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even glaze layer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. A too-thin layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. The flowing glaze can permanently adhere the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeating to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1150°C\u003c\/strong\u003e and holding for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1100°C\u003c\/strong\u003e and holding for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1050°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1000°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e960°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times specified in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain the temperature at about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size and distribution of crystals may vary depending on the ceramic body used, layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend testing it on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, safety rules applicable in the workshop should be observed, and appropriate personal protective equipment should be used.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758008856903,"sku":"KJ-028","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003986-01-1-scaled.webp?v=1785104107"},{"product_id":"szkliwo-krystaliczne-kj-blue-tide-476ml","title":"KJ Blue Tide Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, when properly fired, creates spectacular, unique crystals on the surface of ceramics.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging techniques for glazing ceramics. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the height of the piece, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the height of the piece, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thick or too thin.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – the glaze flows strongly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program for kilns with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size and distribution of crystals may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a sample on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a particular studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, safety rules applicable in the studio should be followed, and appropriate personal protective equipment should be used.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758009708871,"sku":"KJ-028P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003986-01-1-scaled_d7f133fb-031c-49a8-be04-ab485cd019ae.webp?v=1785104183"},{"product_id":"szkliwo-krystaliczne-kj-navy-blue-238ml","title":"KJ Navy Blue Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates impressive, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the ware.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the ware's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the ware's height, counting from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thick or too thin.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. A too-thin layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place glazed work directly on the shelf. Flowing glaze can permanently stick the work to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain the temperature at approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the work in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend creating a test tile on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe the safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758010069319,"sku":"KJ-029","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004830-01-scaled.webp?v=1785104329"},{"product_id":"szkliwo-krystaliczne-kj-navy-blue-476ml","title":"KJ Navy Blue Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying at approximately 1\/3 of the height of the piece, measured from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying at approximately 2\/3 of the height of the piece, measured from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. A too-thin layer, however, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – the glaze runs significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Running glaze can permanently adhere the piece to the shelf and damage the kiln's equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to about 1150°C. Then set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then set a low power and maintain the temperature at about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test piece on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific workshop conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe the safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758011543879,"sku":"KJ-029P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004830-01-scaled.webp?v=1785104329"},{"product_id":"szkliwo-krystaliczne-kj-emerald-frost-238ml","title":"KJ Emerald Frost Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that creates spectacular, unique crystals on the surface of ceramics during a properly conducted firing.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging techniques in ceramic glazing. Achieving the desired results often requires many attempts, an appropriate formula, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be mixed very thoroughly. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the vessel's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the vessel's height, counting from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln's equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain a temperature of about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of a given workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012166471,"sku":"KJ-034","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004845-01-scaled.webp?v=1785104477"},{"product_id":"szkliwo-krystaliczne-kj-emerald-frost-476ml","title":"KJ Emerald Frost Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that creates spectacular, unique crystals on the ceramic surface during a properly conducted firing.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many attempts, a suitable recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze must be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying at approximately 1\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying at approximately 2\/3 of the piece's height, counting from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – glaze runs significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Running glaze can permanently bond the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set the minimum power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the position of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend creating a test piece on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, safety rules applicable in the workshop must be observed, and appropriate personal protective equipment must be used.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012395847,"sku":"KJ-034P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004845-01-scaled.webp?v=1785104477"},{"product_id":"szkliwo-krystaliczne-kj-cobalt-ocean-238ml","title":"KJ Cobalt Ocean Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging techniques in ceramic glazing. Achieving the desired results often requires many attempts, the right recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e begin application approximately 1\/3 of the way up the piece, starting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e begin application approximately 2\/3 of the way up the piece, starting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brushstroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Conversely, too thin a layer can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze runs significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or kiln shelf protector.\u003c\/p\u003e\n\u003cp\u003eDo not place glazed work directly on the shelf. Running glaze can permanently adhere the work to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set minimal power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times specified in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, glaze thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend creating a test sample on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. Adhere to studio safety rules and use appropriate personal protective equipment during use.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012428615,"sku":"KJ-035","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003982-01-scaled.webp?v=1785104630"},{"product_id":"szkliwo-krystaliczne-kj-cobalt-ocean-476ml","title":"KJ Cobalt Ocean Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eReady-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003eDesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003eCreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003eCan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e Apply glaze over the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e Begin application approximately at 1\/3 of the vessel's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e Begin application approximately at 2\/3 of the vessel's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or kiln shelf protection plate.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule for Kilns with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size and distribution of crystals may vary depending on the ceramic body used, glaze thickness, placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific studio conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012461383,"sku":"KJ-035P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003982-01-scaled.webp?v=1785104630"},{"product_id":"szkliwo-krystaliczne-kj-nickel-amber-238ml","title":"KJ Nickel Amber Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be mixed very thoroughly. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the ware.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the ware's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the ware's height, counting from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even glaze layer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. A layer that is too thin, however, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – Glaze Runs Heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a protective shelf setter.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Running glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule for a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to a temperature of \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set minimal power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend testing it on a chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of a particular studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe the safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012494151,"sku":"KJ-036","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003972-01-scaled.webp?v=1785104775"},{"product_id":"szkliwo-krystaliczne-kj-nickel-amber-476ml","title":"KJ Nickel Amber Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that creates spectacular, unique crystals on the ceramic surface during a properly executed firing.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catch or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln's equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeating to a temperature of \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1150°C\u003c\/strong\u003e and holding for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1100°C\u003c\/strong\u003e and holding for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1050°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1000°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e960°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set minimum power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test piece on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a particular studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe the safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012559687,"sku":"KJ-036P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003972-01-scaled.webp?v=1785104775"},{"product_id":"szkliwo-krystaliczne-kj-forest-teal-238ml","title":"KJ Forest Teal Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving the desired results often requires many trials, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the ware.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the ware's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the ware's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catch or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Program for Kilns with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set minimal power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set low power and maintain a temperature of about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test piece on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, safety rules applicable in the studio should be observed, and appropriate personal protective equipment should be used.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012592455,"sku":"KJ-037","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003984-01-scaled.webp?v=1785104921"},{"product_id":"szkliwo-krystaliczne-kj-forest-teal-476ml","title":"KJ Forest Teal Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires numerous attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be mixed very thoroughly. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e begin application approximately at 1\/3 of the piece's height, measured from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e begin application approximately at 2\/3 of the piece's height, measured from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. A too-thin layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place glazed pieces directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Program in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to a temperature of \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set a low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size and distribution of crystals may vary depending on the ceramic body used, layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend creating a test tile on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis product is intended for professional ceramic applications. When working, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012625223,"sku":"KJ-037P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003984-01-scaled.webp?v=1785104921"},{"product_id":"szkliwo-krystaliczne-kj-woodland-shower-238ml","title":"KJ Woodland Shower Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003eintended for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the piece, measured from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the piece, measured from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. A layer that is too thin, however, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze flows strongly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catcher or a stand to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times specified in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set low power and maintain the temperature at approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test piece on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific studio conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012657991,"sku":"KJ-038","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004000-01-scaled.webp?v=1785105081"},{"product_id":"szkliwo-krystaliczne-kj-woodland-shower-476ml","title":"KJ Woodland Shower Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many trials, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the piece, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the piece, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. A too-thin layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – Glaze runs significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a specially prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Running glaze can permanently bond the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Program for Kilns with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeating to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1150°C\u003c\/strong\u003e and holding for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1100°C\u003c\/strong\u003e and holding for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1050°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1000°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e960°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to about 1150°C. Then set minimal power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set low power and maintain a temperature of about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, and then perform subsequent holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of a given workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe workshop safety rules and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012952903,"sku":"KJ-038P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004000-01-scaled.webp?v=1785105081"},{"product_id":"szkliwo-krystaliczne-kj-saaphire-blue-238ml","title":"KJ Saaphire Blue Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be mixed very thoroughly. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the vessel, measured from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the vessel, measured from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, however, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently adhere the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then set to low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend testing it on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of a given studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis product is intended for professional ceramic applications. During work, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013018439,"sku":"KJ-039","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003839-01-scaled.webp?v=1785105247"},{"product_id":"szkliwo-krystaliczne-kj-saaphire-blue-476ml","title":"KJ Saaphire Blue Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many trials, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze must be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the ware.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the ware's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the ware's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thick or too thin.\u003c\/strong\u003e Too much glaze can hinder or completely stop crystal formation. Too thin a layer, however, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze flows strongly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program for kilns with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to a temperature of \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set minimal power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test piece on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of your studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe workplace safety rules and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013051207,"sku":"KJ-039P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003839-01-scaled.webp?v=1785105247"},{"product_id":"szkliwo-krystaliczne-kj-mint-tea-238ml","title":"KJ Mint Tea Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, when fired correctly, creates spectacular, unique crystals on the surface of ceramics.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the most demanding ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eReady-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003eDesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003eForms unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003eCan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e Apply the glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e Start applying approximately 1\/3 of the way up the vessel, measuring from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e Start applying approximately 2\/3 of the way up the vessel, measuring from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even glaze layer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze runs heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place glazed work directly on the shelf. Running glaze can permanently adhere the work to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the placement of the work in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to finished work, we recommend making a test piece on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of your studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013149511,"sku":"KJ-041","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003967-01-scaled.webp?v=1785105398"},{"product_id":"szkliwo-krystaliczne-kj-mint-tea-476ml","title":"KJ Mint Tea Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the ware.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e begin application approximately at 1\/3 of the ware's height, measured from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e begin application approximately at 2\/3 of the ware's height, measured from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. Too thin a layer, on the other hand, can result in poor coverage of the background and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze flows significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. The flowing glaze can permanently bond the piece to the shelf and damage the kiln's equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule for Kilns with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013182279,"sku":"KJ-041P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003967-01-scaled.webp?v=1785105398"},{"product_id":"szkliwo-krystaliczne-kj-ocean-burst-238ml","title":"KJ Ocean Burst Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate formula, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003eforms unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – Glaze Runs Heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a specially prepared glaze catcher or stilts to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Running glaze can permanently adhere the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule for Kilns with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set minimal power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of the workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe workshop safety rules and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013215047,"sku":"KJ-042","price":89.0,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004863-01-scaled.webp?v=1785105554"},{"product_id":"szkliwo-krystaliczne-kj-ocean-burst-476ml","title":"KJ Ocean Burst Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that creates spectacular, unique crystals on the ceramic surface during a properly executed firing.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires numerous attempts, an appropriate formula, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the piece, measured from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the piece, measured from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brushstroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. A too-thin layer, however, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently adhere the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set minimal power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, following the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test piece on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of a given workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013247815,"sku":"KJ-042P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004863-01-scaled.webp?v=1785105554"},{"product_id":"szkliwo-krystaliczne-kj-harvest-glow-238ml","title":"KJ Harvest Glow Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, when fired correctly, creates spectacular, unique crystals on the surface of ceramics.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many attempts, a suitable recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e begin application approximately 1\/3 of the way up the piece, starting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e begin application approximately 2\/3 of the way up the piece, starting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brushstroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. A too-thin layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – the glaze flows strongly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catch or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set minimal power and hold the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set low power and maintain a temperature of about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific studio conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013313351,"sku":"KJ-043","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004853-01-scaled.webp?v=1785105716"},{"product_id":"szkliwo-krystaliczne-kj-harvest-glow-476ml","title":"KJ Harvest Glow Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 height of the vessel, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 height of the vessel, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – the glaze flows strongly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeating to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1150°C\u003c\/strong\u003e and holding for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1100°C\u003c\/strong\u003e and holding for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1050°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1000°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e960°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test piece on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, safety rules applicable in the workshop should be observed, and appropriate personal protective equipment should be used.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013378887,"sku":"KJ-043P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004853-01-scaled.webp?v=1785105716"},{"product_id":"szkliwo-krystaliczne-kj-mossy-green-238ml","title":"KJ Mossy Green Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the ware.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the ware, measuring from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the ware, measuring from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. A too-thin layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – the glaze flows strongly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set minimal power and hold the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform the next holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the position of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013444423,"sku":"KJ-044","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004837-01-scaled.webp?v=1785105879"},{"product_id":"szkliwo-krystaliczne-kj-mossy-green-476ml","title":"KJ Mossy Green Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be mixed very thoroughly. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the ware.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the ware's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the ware's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. A too-thin layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – glaze runs heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catch or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place glazed work directly on the shelf. The running glaze can permanently stick the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then set low power and maintain the temperature at about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of the workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, safety rules applicable in the workshop must be observed and appropriate personal protective equipment must be used.\u003c\/strong\u003e\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013575495,"sku":"KJ-044P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004837-01-scaled.webp?v=1785105879"},{"product_id":"glina-sibelco-k3010-10kg","title":"Sibelco K3010 clay 10kg","description":"\u003ch2 data-end=\"129\" data-start=\"69\"\u003e K3010 clay – brown mass with medium fireclay (0–1 mm)\u003c\/h2\u003e\n\n \u003cp data-end=\"574\" data-start=\"131\"\u003eK3010 is a versatile, medium-grain fireclay (0–1 mm), designed for stability and durability in forms. With 30% fireclay, it performs well in both larger vessels and hand-built pieces. After firing, it takes on natural shades of brown—from light brown to dark brown—creating an organic, earthy finish. Suitable for turning, carving, and the construction of larger utility forms.\u003c\/p\u003e\n\n\u003ch3 data-end=\"600\" data-start=\"576\"\u003e \u003cstrong data-end=\"600\" data-start=\"580\"\u003eCharacteristic:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-end=\"622\" data-start=\"602\"\u003eColor after firing:\u003c\/strong\u003e from light to dark brown\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-end=\"672\" data-start=\"655\"\u003eApplication:\u003c\/strong\u003e turning, hand forming, larger molds\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-end=\"728\" data-start=\"718\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-end=\"797\" data-start=\"767\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1200 °C\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-end=\"835\" data-start=\"813\"\u003eFireclay content:\u003c\/strong\u003e 30%, grain 0–1 mm\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong data-end=\"882\" data-start=\"857\"\u003eShrinkage on drying:\u003c\/strong\u003e approx. 5.5%\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-end=\"927\" data-start=\"894\"\u003eShrinkage when fired at 1200 °C:\u003c\/strong\u003e approx. 6%\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-end=\"976\" data-start=\"937\"\u003eWater absorption after firing at 1200 °C:\u003c\/strong\u003e approx. 2%\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-end=\"1263\" data-start=\"985\"\u003e Thanks to its high fireclay content and stable structure, K3010 maintains its shape well, even in larger projects. Its natural brown tone harmonizes perfectly with transparent, matte, and semi-transparent glazes, creating strong, expressive surface effects.\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":52807018381639,"sku":null,"price":59.9,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/3677deb1-145c-4f09-b2c2-e23526771ddc.png?v=1781621783"},{"product_id":"glina-goerg-schneider-254-10kg","title":"Clay Goerg \u0026 Schneider 254 10kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 254 is a stoneware clay with a light, creamy color after firing, containing fine grog, which gives it good stability while maintaining comfort of work.\u003c\/p\u003e\n\n\u003cp\u003eThe clay is plastic and versatile – it works well for hand-building smaller forms as well as for throwing on the pottery wheel. It also performs particularly well with larger vessels, where material control and shape retention are important.\u003c\/p\u003e\n\n\u003cp\u003eThanks to its balanced properties, it is a universal choice for daily studio work, offering a good balance between plasticity and stability, and predictable results after firing.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53787962999111,"sku":"3025400000","price":44.7,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/254_575d4d84-b884-4052-b172-4ca2ed6e6515.jpg?v=1785117220"},{"product_id":"glina-goerg-schneider-24-10kg","title":"Clay Goerg \u0026 Schneider 24 10kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 24 is a ceramic clay with a light firing color and very high plasticity, without grog. Thanks to its flexibility and soft workability, it offers great forming comfort and good material control.\u003c\/p\u003e\n\n\u003cp\u003eThe clay is particularly well-suited for throwing on a potter's wheel, allowing for smooth form guidance and easy shaping of vessels. It is suitable for both beginners and more advanced users.\u003c\/p\u003e\n\n\u003cp\u003eIt fires quite densely even at lower temperatures, making it a good choice for work within the typical earthenware temperature range. It works well with a wide range of colored glazes designed for this firing range.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087189831,"sku":"3002400000","price":47.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/24.jpg?v=1785117244"},{"product_id":"glina-goerg-schneider-1100-10kg","title":"Clay Goerg \u0026 Schneider 1100 10kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 1100 is a ceramic body with a very light, almost porcelain-like color after firing, without grog. It is characterized by a smooth, homogeneous structure, which allows for a clean, aesthetic surface of the products.\u003c\/p\u003e\n\n\u003cp\u003eThe body performs well when throwing on a potter's wheel, ensuring smooth work and good form control. It can also be combined with its corresponding slip casting body, which provides greater technological possibilities for more complex projects.\u003c\/p\u003e\n\n\u003cp\u003eThanks to its very light color after firing, it works particularly well with transparent glazes, emphasizing their depth and intensity. Although visually similar to porcelain, it remains opaque.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087222599,"sku":"3011000000","price":75.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1100.jpg?v=1785117268"},{"product_id":"glina-goerg-schneider-208-10-kg","title":"Clay Goerg \u0026 Schneider 208 10 kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 208 is a ceramic body with a light, creamy color after firing and a very smooth texture, free of grog. Thanks to its homogeneous consistency, it allows for a clean, aesthetic surface and high precision of detail.\u003c\/p\u003e\n\n\u003cp\u003eThe body is particularly well-suited for throwing on a potter's wheel – it works softly and predictably, allowing for smooth shaping. It also works well for creating smaller, delicate elements where material control and finish quality are key.\u003c\/p\u003e\n\n\u003cp\u003eIt is a good choice for functional ceramics and projects requiring a smooth surface. It can also be combined with its corresponding slip casting body, which offers additional possibilities when working on more complex forms.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087288135,"sku":"3020800000","price":43.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/208.jpg?v=1785117293"},{"product_id":"glina-goerg-schneider-234-10-kg","title":"Clay Goerg \u0026 Schneider 234 10 kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 234 Paperclay is a ceramic body with a light, creamy fired colour, enriched with cellulose fibres, which give it unique working properties. Thanks to their presence, the clay gains greater flexibility and strength in the greenware state, allowing for the creation of more demanding and delicate forms.\u003c\/p\u003e\n\u003cp\u003eThe fibre structure creates internal \"connections\" that enable the creation of thin-walled elements and large, lightweight sculptural forms. The clay tolerates joining elements at various stages of humidity, facilitates repairs, and provides great freedom in the process of building the form.\u003c\/p\u003e\n\u003cp\u003eThis material is particularly valued in experimental work and sculpture, where lightness of construction and the ability to create more daring, elaborate shapes are essential.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087320903,"sku":"3023400000","price":68.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/234.jpg?v=1785117318"},{"product_id":"glina-goerg-schneider-258-10kg","title":"Clay Goerg \u0026 Schneider 258 10kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 258 is a stoneware clay body with a light, creamy color after firing, containing black grog which gives it a distinctive, contrasting character. The visible, darker inclusions create an interesting, slightly graphic surface structure.\u003c\/p\u003e\n\n\u003cp\u003eThe clay is plastic and works well for hand-building small and medium-sized forms. It provides good stability during work and allows for free shaping of forms while maintaining control over the material.\u003c\/p\u003e\n\n\u003cp\u003eThanks to the presence of black grog, it is possible to achieve interesting decorative effects – especially by working on the surface, e.g., wiping with a sponge, which exposes the material's structure. This is a good choice for projects where contrast, texture, and a distinctive surface are important.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087419207,"sku":"3025800000","price":44.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/258.jpg?v=1785117345"},{"product_id":"glina-goerg-schneider-264-10kg","title":"Clay Goerg \u0026 Schneider 264 10kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 264 is a stoneware body that fires to a light, cream color, containing a medium-grain grog. This combination offers good plasticity with enhanced stability, providing a noticeable yet controllable surface texture.\u003c\/p\u003e\n\n\u003cp\u003eThe clay body is versatile and performs well for hand-building small and medium-sized forms. It offers stability during work, facilitating construction and shape control, while remaining comfortable to work with.\u003c\/p\u003e\n\n\u003cp\u003eAfter firing, it achieves a light, natural shade that works well with glazes but also looks good unglazed. It is a universal clay body for many applications, suitable for both functional and decorative work.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087451975,"sku":"3026400000","price":41.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/264.jpg?v=1785117374"},{"product_id":"glina-goerg-schneider-359-10kg","title":"Clay Goerg \u0026 Schneider 359 10kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 359 is a stoneware body with a warm, natural hue – from salmon to beige – which, after firing, stands out with its subtle, pleasant colouring. It contains fine grog, which combines good plasticity with enhanced stability during work.\u003c\/p\u003e\n\n\u003cp\u003eThe body is versatile and suitable for both hand-building smaller forms and throwing on a potter's wheel, even for larger vessels. It provides good material control and comfort when working with more elaborate forms.\u003c\/p\u003e\n\n\u003cp\u003eAfter firing, it achieves a warm, natural colour that looks particularly good when paired with glazes. Interesting visual effects can be achieved by leaving parts of the surface unglazed next to glazed areas, highlighting the contrast between the material and the finish.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087484743,"sku":"3035900000","price":41.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/359.jpg?v=1785117398"},{"product_id":"glina-goerg-schneider-371-10kg","title":"Clay Goerg \u0026 Schneider 371 10kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 371 is a stoneware clay with a variable fired color – from light gray at lower temperatures to deep anthracite and black at higher temperatures. Thanks to its fine grog content, it combines good plasticity with enhanced stability, while maintaining a relatively smooth, controllable texture.\u003c\/p\u003e\n\n\u003cp\u003eThe clay is versatile and suitable for hand-building smaller forms as well as throwing on a pottery wheel – especially for larger vessels where material stability is crucial. It responds well to tools and allows for precise shaping.\u003c\/p\u003e\n\n\u003cp\u003eAfter firing, it achieves varied coloring depending on the temperature, which offers broad possibilities for working with the natural color of the body. It is a good choice for functional and decorative ceramics where both form and the depth of color and the material character of the surface are important.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087550279,"sku":"3037100000","price":53.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/371.jpg?v=1785117423"},{"product_id":"glina-goerg-schneider-373-10kg","title":"Clay Goerg \u0026 Schneider 373 10kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 373 is a stoneware clay body with a distinct, variable post-firing color – ranging from light shades of grey at lower temperatures to deep anthracite and black at higher temperatures. It contains a significant amount of grog, which gives it a clear, granular texture and emphasizes its raw surface character.\u003c\/p\u003e\n\n\u003cp\u003eThe clay body is plastic and works very well for hand-building small and medium-sized forms. Thanks to its structure, it ensures good stability during work and facilitates shape control, which is particularly important for more complex forms.\u003c\/p\u003e\n\n\u003cp\u003eAfter firing, it achieves varied coloring depending on the temperature, which offers broad possibilities for working with the natural color of the bisque. It is a good choice for projects where contrast, color depth, and a raw, material aesthetic are important.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087583047,"sku":"3037300000","price":53.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/373.jpg?v=1785117449"},{"product_id":"glina-goerg-schneider-374-10kg","title":"Clay Goerg \u0026 Schneider 374 10kg","description":"\u003cp\u003eGoerg \u0026amp; Schneider 374 is a stoneware clay with a unique, variable post-firing color – ranging from light grey at lower temperatures to deep anthracite and black at higher temperatures. It contains black grog, which gives it a distinctive, contrasting character and allows for interesting surface effects.\u003c\/p\u003e\n\n\u003cp\u003eThe clay is plastic and works very well for hand-building small and medium-sized forms. Thanks to its structure, it provides good stability during work and control over the shape, which facilitates the creation of more complex forms.\u003c\/p\u003e\n\n\u003cp\u003eThe visible black grog allows for the creation of decorative effects – especially when working on the surface, for example, by sponge wiping, which exposes the material's texture. It is a good choice for works with a more graphic, contrasting character, and where both form and surface are important.\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087648583,"sku":"3037400000","price":53.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/374.jpg?v=1785117473"}],"url":"https:\/\/alike.pl\/en\/collections\/sklep.oembed?page=4","provider":"Alike Pottery Studio","version":"1.0","type":"link"}